In early December my daughter came home from school singing
a song, “Soy un Chino Capuchino Mandarín.” She said it was a Christmas song her
class was preparing for the end of school Christmas party, and they would all
dress up as Chinese people. In the song, the Chinese are on the road to
Bethlehem and are approached by the Magi asking them for directions, but they
can’t help because they don’t understand Spanish. Just hearing her sing the
line, “Como Chino Capuchino no entender,” aroused such anger in me. Here they go, portraying Asians as
inescapably foreign and alien, even
stupid. I immediately pointed out to
my daughter that her friend Han Han, who
is Chinese, speaks Spanish perfectly. “Mami, es una canción!” (“It’s just a
song!”) she replied. But the worst was to come. For their Chinese costumes, the
teacher sent home garbage bags to be decorated at home with black adhesive tape
in order to look like Chinese robes. Garbage bags? Really? As if the song and the idea of dressing up like Chinese
people weren’t offensive enough. But once again my effort to challenge
distortion with reality (“Chinese people don’t wear garbage bags,” I pointed
out) was rejected by my 5-year-old. “Mami, the
teacher said.” And hence the insidious crime of this activity, invested
with all the authority of the school, taught to 5-year-olds who are still
learning how to see the world and shaping their perceptions of cultural
difference.
So began two weeks of painful deliberation by my husband and
I about how to respond to this and whether to let her
participate. Our response to this incident is shaped by our training as
anthropologists of education who focus on issues of cultural diversity in
schools, as well as our personal identities and experiences of cultural diversity
in the United States. This training and experience has attuned us to the role
of ethnic and racial stereotyping in relations of inequality. We are new to
Spain, but in the few months we have been here, we have learned that the
Chinese are one of the most marginalized, if not the most marginalized
immigrant minority group. They have the highest school dropout rate, and in
some recent studies of the second generation (children of immigrants born in
Spain), the Chinese are the least likely of any ethnic group to identify as
Spanish or to have friendships outside their ethnic group.
In Madrid, the face of the Chinese are the small merchants
who operate the numerous ‘bazaars’ selling cheap imported goods. Madrid is home
to the largest Chinese distribution center in Europe. Chinese merchants have
been the target of protests by Spanish shoe merchants (one in 2004 ending in
the burning of a Chinese shoe warehouse) and in the central city neighborhood
of Lavapies in 2005, they were the target of a ‘cleansing’ campaign by
municipal authorities and Spanish merchants who associated the Chinese with ‘suciedad’ (dirtiness), contamination,
and illegality. That’s right, the Chinese were associated with garbage. Fast
forward to 2013, and a central city public school assigns its kindergarten
class to dress up as Chinese by wearing garbage bags. This, very briefly, is
the social and historical context within which we interpret the meaning of this
activity, as outsiders to the school but specialists in cultural diversity.
Insiders to the school interpret the activity from different
lenses, of course. In the past two weeks we have spoken to parents, the
teacher, the principal and the academic director, about our concerns. No one we
have spoken to can see anything wrong with the activity. In each case, their
first response has been to assure us of the absence of any racial intent. No
problem, as Americans we’re used to the “I didn’t mean to be racist therefore
I’m not” argument. We assure them that we are not accusing anyone of racist
intent, or any harmful intent whatsover, but that we are concerned about the
implications and consequences of this activity for children in the school,
especially children of Asian descent. They explain that the song comes from a
traditional and popular villancico
sung by the famous “Payasos de la Tele” (clowns
of the television) in the 1970s. One
mother told me, “most of us parents in the school grew up with that song, and
that’s why you won’t find anyone who sees anything wrong with it.” The Chinese
immigrant parents, of course, did not grow up with that song, but it hadn’t
occurred to anyone we talked to to ask what Chinese parents would think. When we raised this question, we got some
thoughtful “Hmm”s. The school staff admitted that they had some thinking to do,
and agreed to make some modifications to the activity, for example, removing
some of the hand gestures that had children pulling their eyes to make
slanty-eyes (yes, that had initially been part of the song). But the overall
sense I got from these conversations was that they (Spanish parents and educators)
believe that we (Americans) have a ‘race problem’ which causes us to be overly
sensitive and therefore unable to see the harmonious and agreeable nature of social
relations in this school and Spain in general (people said as much in many
different ways). So which view is right?
The real difference here is not between a Spanish and an
American version of race relations. Many Americans would agree with the
Spaniards that my husband and I were overreacting and that “political
correctness” (the term actually used by one Spanish father to describe our
reaction) was stifling harmless and spontaneous creative expression. The real
difference, instead, lies between a critical view and an uncritical view of cultural
representations; between a view that considers the role of historical context
and power inequalities in cultural representation and asks who has the power to
represent whom, and a view that does not. While the uncritical view uses historical
referents to justify dominant representations of minority cultures (the TV
Clowns sang the song in the ‘70s, so it’s okay), the critical view uses
historical context to question dominant representations (Chinese merchants have
been the target of ‘cleansing’ campaigns in the recent past, so is it really a
good idea to have children dress up as Chinese people by wearing garbage
bags?). And as to the absence of racial intent, can any cultural image ever be
innocent in the context of racial inequality?
On the question of what is the best way to parent a child in
these circumstances, I remain uncertain. While I see mostly negative outcomes
of allowing my daughter to participate in racially offensive stereotyping, I
also see negative outcomes of forbidding her to participate and separating her
from her classmates. It is a difficult situation, and I don’t claim to know
what is best. On one thing I am clear, however. Between the critical and
uncritical view, I will always choose the critical. To be uncritical is to be
allow yourself to be swept by currents that have resulted in mass inequality and
to disown your own capacity for independent thought, not to mention your
responsibility to make change. I agree with Freire: to develop critical
consciousness is our vocation as human beings. And yes, it is painful.